Associate Professor, Concordia Univ., Dept of Communication Studies
I can be reached at; lshade@alcor.concordia.ca
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Its translucent color so alluring and taste and aroma so gentle and mellow offer admiring feelings of a graceful lady. Enjoy soft and juicy Kasugai Muscat Gummy.
The Americans by Robert Frank. A stark amazing bleak and beautiful photographic journey through the heart of post WWII America. Weird to see in Vanity Fair of all places this article by Charlie LeDuff about the 83yr old Frank traveling to China for the Pingyao International Photography Festival.
Great things sometimes come from rewriting under pressure.
What a great first line for a book! So starts Lynn Hunt in Inventing Human Rights, (Norton, 2007).
If your birthday is today...you may or may not think of yourself as an ideas person but your brain will be bulging with brilliant insights over the coming 12 months, Don't keep them to yourself: broadcast them far and wide; make sure everyone knows what a genius you are. False modesty is not your style.
Thanks Sally Brompton of G&M
Or, how to procrastinate at the end of the semester, but is this not what you get paid to do? Read?
Helen Epstein, The Invisible Cure: Africa, The West and the Fight Against Aids (Farrar Strauss, Giroux, 2007).
Chris Hedges, American Fascists: The Christian Right and the War on America (Free Press, 2006). From Democracy Now, interview with Hedges.
Bliss Broyard, One Drop (Little Brown, 2007).
Hari Kunzru, My Revolutions (Dutton, 2007). Review in The Guardian.
Peter Carey, His Illegal Self (Random House, 2008)
Davd Gilmour, The Film Club: A True Story of a Father and Son (Thomas Allen, 2007). Review at CBC .
Michael Eric Dyson, April 4, 1968: MLK Jr’s Death and How It Changed America (Basic Books, 2008)
Deepa Fernandes, Targeted: National Security and the Business of Immigration (Seven Stories Press, 2007).
Nice clip of her at Memphis NCMR on YouTube
Iraq is to moviegoers what garlic to vampires. Thanks, Frank Rich in today’s Sunday New York Times, in commenting on the weird dissonance of watching the new film by Errol Morris, Standard Operating Procedure, about the Abu Ghraib photos, in the swank of MOMA.